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Another allusion, familiar to the contemporary theatre-goer, would have been to Teatrum Mundi, a meditation by the twelfth-century classicist and philosopher John of Salisbury, in his Policraticus, book three.

It seems likely that the link between the supposed motto and the Globe was made only later, originating with the industrious early Shakespeare biographer William Oldys, who claimed as his source a private manuscript to which he once had access.

The Globe was owned by actors who were also shareholders in the Lord Chamberlain's Men.

Two of the six Globe shareholders, Richard Burbage and his brother Cuthbert Burbage, owned double shares of the whole, or 25% each; the other four men, Shakespeare, John Heminges, Augustine Phillips, and Thomas Pope, owned a single share, or 12.5%.

The Burbages originally had a 21-year lease of the site on which the theatre was built but owned the building outright.

However, the landlord, Giles Allen, claimed that the building had become his with the expiry of the lease.

While only a hundred yards from the congested shore of the Thames, the piece of land was situated close by an area of farmland and open fields.

With the onset of more favourable weather in the following spring, the material was ferried over the Thames to reconstruct it as The Globe on some marshy gardens to the south of Maiden Lane, Southwark.

A modern reconstruction of the theatre, named "Shakespeare's Globe", opened in 1997, with a production of Henry V.

It is an academic approximation of the original design, based on available evidence of the 15 buildings, In February 2016, a temporary full-scale replica of the Second Globe Theatre, called the Pop-up Globe and based on scholarly reanalyses of the surviving evidence for the 1614 building, opened in downtown Auckland, New Zealand, and presented a three-month season of Shakespeare's plays performed by a house company and by visiting local production groups.

The stage measured approximately 43 feet (13.1 m) in width, 27 feet (8.2 m) in depth and was raised about 5 feet (1.5 m) off the ground.

On this stage, there was a trap door for use by performers to enter from the "cellarage" area beneath the stage.

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